Guitar: 2018 Stephen Hill 2A Blanca (https://tinyurl.com/yd54q95l)
Here's Kai Narezo with a technique workout for picado, arpeggio and alzapua in the Tangos compás. Kai plays a great new 2018 Stephen Hill 2A flamenco blanca.

Huge thanks to Jurgen Reisch for use of his beautiful studio space!

This short Tangos solo features a lot of compás and three falsetas that cover arpeggio, alzapua and picado techniques. You can learn it as played or you can think of it as a template for dropping in new falsetas and compás variations as you learn them.

This short Tangos solo features a lot of compás and three falsetas that cover arpeggio, alzapua and picado techniques. You can learn it as played or you can think of it as a template for dropping in new falsetas and compás variations as you learn them.

This arpeggio falseta, which works great as an intro or anywhere in your Tangos, is relatively simple but has a few little technical challenges and some syncopation that make a bit less simple than it may seem.

This arpeggio falseta, which works great as an intro or anywhere in your Tangos, is relatively simple but has a few little technical challenges and some syncopation that make a bit less simple than it may seem.

This falseta is based on an Estribillo, or chorus, of a sung Tangos. It’s groovy and very playable, though the tag at the end can be just a bit challenging. You don’t have to play that tag, but it’s a fun one to learn and good for practicing your arpeggio to picado transition.

This falseta is based on an Estribillo, or chorus, of a sung Tangos. It’s groovy and very playable, though the tag at the end can be just a bit challenging. You don’t have to play that tag, but it’s a fun one to learn and good for practicing your arpeggio to picado transition.

This may be simplest falseta in the course in terms of technique, though the syncopation will be tricky for some. It’s a great hard-driving falseta played on the bass strings that requires solid coordination of the left and right hands and a good feel for the compás.

This may be simplest falseta in the course in terms of technique, though the syncopation will be tricky for some. It’s a great hard-driving falseta played on the bass strings that requires solid coordination of the left and right hands and a good feel for the compás.

Another good candidate for an intro falseta, this one introduces a new technique of adding a pull-off in the middle of an arpeggio that is quite common in flamenco.

Another good candidate for an intro falseta, this one introduces a new technique of adding a pull-off in the middle of an arpeggio that is quite common in flamenco.

One of my favorite Tomatito falsetas por Tangos, this one features thumb and alzapua techniques, along with some big left hand stretches. Most of it is ‘simple’ but not easy, especially to get it to sound as powerful as Tomatito does when he plays it. And the little alzapua bit at the end is neit...

One of my favorite Tomatito falsetas por Tangos, this one features thumb and alzapua techniques, along with some big left hand stretches. Most of it is ‘simple’ but not easy, especially to get it to sound as powerful as Tomatito does when he plays it. And the little alzapua bit at the end is neit...

Besides being a fun straight-ahead picado falseta for your Tangos, this one doubles as a great picado study. Practicing preparing your right hand placement and working on your left-hand / right-hand coordination to get the most out of this one.

Besides being a fun straight-ahead picado falseta for your Tangos, this one doubles as a great picado study. Practicing preparing your right hand placement and working on your left-hand / right-hand coordination to get the most out of this one.