Ever wonder why so many different chords in flamenco have the same name, or why we use so many versions of the same chord when accompanying Cante? In this video Kai breaks down the difference between a chord and a voicing and then shows you a ton of great voicings (chords) to use when playing Por Medio. And check out our Flamenco Chords and Voicings PDF which has over a hundred chords and progressions that are commonly used in the two most popular keys in flamenco - Por Medio and Por Arriba: https://flamencoexplained.com/tabs-and-notation/
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Overview of Flamenco Palos (styles) -...
A really quick introduction to the basic flamenco forms, including Soleá, Soleá por Buleria, Buleria, Tientos, Tangos, Rumba, Alegrias, Seguirilla, Guajiras, Farruca, Colombiana, Taranto, Taranta and Fandango de Huelva. Not all of the Palos, but a good intro to some of the more common ones.
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Survival Guide - Solea for accompanyi...
Survival Guide - All the sections of soleá for accompanying dance including: the letras, escobilla, falseta, compás, subida and "the flip" to Bulerias. TAB for this falseta for dance can be found in the TABS playlist.
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Anatomy of a Compás - Soleá (1971 Man...
This video looks at how we build compás in Soleá using a few essential building blocks. From one of the most traditional ‘escobilla’ melodies have been built thousand upon thousands of Compases, and we look at how it’s been done and how you can learn to do this yourself. And along the way we look...
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