This video looks at how we build compás in Soleá using a few essential building blocks. From one of the most traditional ‘escobilla’ melodies have been built thousand upon thousands of Compases, and we look at how it’s been done and how you can learn to do this yourself. And along the way we look at some really fun variations that you can add to your repertoire to make your Soleá more interesting and to give you more options when writing material or improvising. Huge thanks to GSI for lending me this amazing 1971 Manuel de la Chica blanca. De la Chica was one of the greatest of the Granda builders and certainly one of the most influential. His guitars are fantastic traditional flamencos - some of the best I’ve ever played, in fact.
In this video we look at how to practice compás once you have the basic concepts down. We start by looking at Soleá, though the the concepts apply to pretty much all Palos. At the 15:10 mark we get into practicing Bulerias compás, and at 22:52 we get into one of the very specific things that mess...
Kai and Juan perform a Soleá that includes a Salida, two letras (each in a different style) and a Macho that speeds up a bit and goes to the parallel Major key.
The Salida isn't technically a letra, but it's the first thing you'll have to play if you're accompanying a Soleá. In this video Kai and Juan discuss the Salida, show you some examples, and break it all down.
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