This Tangos falseta features a very common alzapua burst and quite a bit of left-hand / right-hand coordination to make it sound its best. Also, watch out for the rhythm change from 16th to 8th notes.
This Seguirilla falseta works best at faster speeds, making it useful for Escobillas or any other time you need a fast-tempo falseta. You’ll want to watch out for the compás, and also for the left hand, which needs to leave space for adjacent open strings to ring. As always, simple doesn’t mean e...
Played slow and looped: a short but tricky Alegrias falseta that will really work both your left hand and your compás. In addition to some 16th note slurs that include a lot of pinky action, the phrases don’t quite resolve where we would expect them to. Once you’ve learned the notes, make sure yo...
We had to include at least on Paco de Lucia falseta in the course, and this one seems to have been one of Paco’s favorites, given how often he played it. There’s a lot going on, both rhythmically and technically, so take this one slow and make sure you understand where each phrase starts and stop...
