Friday Falseta - Tangos - Tomatito Falseta - Performance
Performance of Kai's Seguirilla falseta that he wrote for dance, but that also works well for solo guitar or Cante intro.
Friday Falseta - Bulería - Kai Narezo Falseta (from Al Aire) - Performance. Use this falseta in either a soleá or bulería.
Friday Falseta - Soleá - Kai Narezo Falseta (from Al Aire) - Performance. Use this falseta in either a soleá or bulería.
Friday Falseta - Soleá Por Bulerías - Kai Narezo Falseta #2 - Performance
Friday Falseta - Bulería - Kai Narezo Falseta Thumb Thing - Performance
Friday Falseta - Tangos - Pepe/Juan Habichuela Falseta - Performance
Friday Falseta - Buleria Alzapua - Kai Narezo Falseta Performance (Also works for Tangos)
Friday Falseta - Tangos Alzapua - Kai Narezo Falseta Performance (Also works for Bulería)
Four Sevillanas in four different keys (E, A, F# and B phrygian). These Sevillanas are pretty advanced both technically and rhythmically, so you may want to review the Traditional Sevillanas tutorial before tackling this.
These Sevillanas for solo guitar are great for learning Sevillanas, working on your technique and accompanying dance, too. Learn one at a time, and each one will be easier than the previous one as you get the hang of the structure.
Watch this to see what we'll be covering in the Buleria 1 Guitar Solo lesson or to refresh your memory once you've gone through the lesson.
This short Tangos solo features a lot of compás and three falsetas that cover arpeggio, alzapua and picado techniques. You can learn it as played or you can think of it as a template for dropping in new falsetas and compás variations as you learn them.
Solea is the oldest of the flamenco forms and having a good understanding of Soleá will help you in all aspects of flamenco. Plus, it's traditional for guitarists to start here. This solo covers all of the essential concepts and techniques that we will look at in other videos.
Watch this to see what we'll be covering in the Solea Compás examples tutorial.
This is a great traditional Silencio - the slow lyrical section of the danced Alegrias. If you don't have a Silencio yet this is a great one to have, and it's a nice picado study, too.
Kai and Juan perform a Soleá that includes a Salida, two letras (each in a different style) and a Macho that speeds up a bit and goes to the parallel Major key.
Three ideas for compás embellishment in an advanced form.
This advanced level Tientos falseta by Kai features quite a bit of picado and thumb technique, with an extended sextuplet scale run at the end.
This Tientos falseta by Enrique Melchor uses all thumb technique and can be played to equal effect whether in strict time or in the more loose ‘plastic’ Tientos feel.
This Tientos falseta by Tomatito use thumb technique and alzapua, and features a couple of big stretches in the left hand.
This Tientos falseta by Kai is great for accompanying dance. It features a couple of big left hand stretches and quite a few picado runs, including a short burst of 32nd notes (which at this tempo is not quite as daunting as it sounds.)
This falseta is really lovely, but definitely challenging. A classic by one of the great masters.
A great traditional falseta featuring lots of arpeggios and slurs that's a bit more challenging than it may appear at first.
