Kai and Juan perform a Soleá that includes a Salida, two letras (each in a different style) and a Macho that speeds up a bit and goes to the parallel Major key.
Three ideas for compás embellishment in an advanced form.
This Tientos falseta by Tomatito use thumb technique and alzapua, and features a couple of big stretches in the left hand.
The first Bulerías falseta I ever wrote 🙂 Each phrase is made up of 8th notes that start on 12 and end on 6, so by now it should just be a matter of learning the notes.
