The hardest part of doing palmas for Seguirillas is really understanding the Seguirillas compás, so here we look at both.
This Bulerias guitar solo features a bunch of Kai's falsetas which cover some really important aspects of Buleria phrasing and a lot of techniques including, thumb, picado, arpeggio, alzapua and rasgueado. This one gets a little syncopated!
Bulerias often goes into a 2-feel compás that can last for a while. Here we look at how stay on top of that groove and one of the more traditional 2-feel Buleria bits that I generally associate most with Moraito and Tomatito, though really they're quite traditional.
Four Sevillanas in four different keys (E, A, F# and B phrygian). These Sevillanas are pretty advanced both technically and rhythmically, so you may want to review the Traditional Sevillanas tutorial before tackling this.
