The hardest part of doing palmas for Seguirillas is really understanding the Seguirillas compás, so here we look at both.

This Bulerias guitar solo features a bunch of Kai's falsetas which cover some really important aspects of Buleria phrasing and a lot of techniques including, thumb, picado, arpeggio, alzapua and rasgueado. This one gets a little syncopated!

Bulerias often goes into a 2-feel compás that can last for a while. Here we look at how stay on top of that groove and one of the more traditional 2-feel Buleria bits that I generally associate most with Moraito and Tomatito, though really they're quite traditional.

Four Sevillanas in four different keys (E, A, F# and B phrygian). These Sevillanas are pretty advanced both technically and rhythmically, so you may want to review the Traditional Sevillanas tutorial before tackling this.

Four Sevillanas in four different keys (E, A, F# and B phrygian). These Sevillanas are pretty advanced both technically and rhythmically, so you may want to review the Traditional Sevillanas tutorial before tackling this.
This one is in the Taranta key (F# phrygian if you're playing without a ca...

Four Sevillanas in four different keys (E, A, F# and B phrygian). These Sevillanas are pretty advanced both technically and rhythmically, so you may want to review the Traditional Sevillanas tutorial before tackling this.
This one is in the Granaina key (B phrygian if you're playing without a ca...

Four Sevillanas in four different keys (E, A, F# and B phrygian). These Sevillanas are pretty advanced both technically and rhythmically, so you may want to review the Traditional Sevillanas tutorial before tackling this.
This one is played Por Medio (A phrygian if you're playing without a capo)...

Four Sevillanas in four different keys (E, A, F# and B phrygian). These Sevillanas are pretty advanced both technically and rhythmically, so you may want to review the Traditional Sevillanas tutorial before tackling this.
This one is played Por Arriba (E phrygian if you're playing without a capo...