Friday Falseta - Bulerias de Kai Falseta - Performance

Friday Falseta - Bulerias de Kai Falseta - Tutorial

Friday Falseta - Bulerias de Kai Falseta - LOOP

Friday Falseta - Bulerías falseta by Quique Paredes - Performance

Friday Falseta - Bulerías falseta by Quique Peredez - Tutorial

Friday Falseta - Bulerías falseta by Quique Peredez - LOOPED

I say this one is good Por Fiesta because it’s all thumb so you can play it loud and, once learned, should be playable at quick speeds. Watch out for those pickup notes at the beginning, though, as it starts just after beat 10.

I say this one is good Por Fiesta because it’s all thumb so you can play it loud and, once learned, should be playable at quick speeds. Watch out for those pickup notes at the beginning, though, as it starts just after beat 10.

I say this one is good Por Fiesta because it’s all thumb so you can play it loud and, once learned, should be playable at quick speeds. Watch out for those pickup notes at the beginning, though, as it starts just after beat 10.

A fun falseta that can also be used a tag for something else, this one starts just before beat 12 and features quite a bit of thumb technique as well as some precise left-hand movement.

A fun falseta that can also be used a tag for something else, this one starts just before beat 12 and features quite a bit of thumb technique as well as some precise left-hand movement

A fun falseta that can also be used a tag for something else, this one starts just before beat 12 and features quite a bit of thumb technique as well as some precise left-hand movement.

Guitar: 1962 Miguel Rodriguez (https://tinyurl.com/y73wkuad)
Here's Kai Narezo with a Flamenco Explained lesson on some great Bulerias material by Moraito that helps understand how bits of compás flow into one another. Kai plays a stunning 1962 Miguel Rodriguez flamenco blanca.

Huge thanks t...

A line cliche is when one note within a chord moves by half-steps. The second half of this falseta features a line cliche on the D minor chord where the bass note moves down from the note D on the fifth string. This is a traditional figure that you’ll probably recognize more once you learn to pla...

A line cliche is when one note within a chord moves by half-steps. The second half of this falseta features a line cliche on the D minor chord where the bass note moves down from the note D on the fifth string. This is a traditional figure that you’ll probably recognize more once you learn to pla...

A line cliche is when one note within a chord moves by half-steps. The second half of this falseta features a line cliche on the D minor chord where the bass note moves down from the note D on the fifth string. This is a traditional figure that you’ll probably recognize more once you learn to pla...

This may be simplest falseta in the course in terms of technique, though the syncopation will be tricky for some. It’s a great hard-driving falseta played on the bass strings that requires solid coordination of the left and right hands and a good feel for the compás.

This may be simplest falseta in the course in terms of technique, though the syncopation will be tricky for some. It’s a great hard-driving falseta played on the bass strings that requires solid coordination of the left and right hands and a good feel for the compás.

One of my favorite Tomatito falsetas por Tangos, this one features thumb and alzapua techniques, along with some big left hand stretches. Most of it is ‘simple’ but not easy, especially to get it to sound as powerful as Tomatito does when he plays it. And the little alzapua bit at the end is neit...

One of my favorite Tomatito falsetas por Tangos, this one features thumb and alzapua techniques, along with some big left hand stretches. Most of it is ‘simple’ but not easy, especially to get it to sound as powerful as Tomatito does when he plays it. And the little alzapua bit at the end is neit...

This Seguirilla falseta works best at faster speeds, making it useful for Escobillas or any other time you need a fast-tempo falseta. You’ll want to watch out for the compás, and also for the left hand, which needs to leave space for adjacent open strings to ring. As always, simple doesn’t mean e...

This Seguirilla falseta works best at faster speeds, making it useful for Escobillas or any other time you need a fast-tempo falseta. You’ll want to watch out for the compás, and also for the left hand, which needs to leave space for adjacent open strings to ring. As always, simple doesn’t mean e...

This Seguirilla falseta works best at faster speeds, making it useful for Escobillas or any other time you need a fast-tempo falseta. You’ll want to watch out for the compás, and also for the left hand, which needs to leave space for adjacent open strings to ring. As always, simple doesn’t mean e...

This Tientos falseta by Enrique Melchor uses all thumb technique and can be played to equal effect whether in strict time or in the more loose ‘plastic’ Tientos feel.