Another traditional Escobilla falseta for Tarantos, more or less as played by Paco de Lucia on his “Tarantos Populares,” this one involves quite a bit of picado and some quick changes from picado to thumb.
Another traditional Escobilla falseta for Tarantos, more or less as played by Paco de Lucia on his “Tarantos Populares,” this one involves quite a bit of picado and some quick changes from picado to thumb. This is played at 52bpm and looped several times.
A more modern approach to the Tarantos Escobilla, you can think of this chord progression and arpeggio pattern as a jumping-off point for all sorts of Tarantos Escobilla material or play it as-is.
A more modern approach to the Tarantos Escobilla, you can think of this chord progression and arpeggio pattern as a jumping-off point for all sorts of Tarantos Escobilla material or play it as-is. This is played at 52bpm and looped several times.
