We wrap up the course by looking at how to put together a Tarantos guitar solo using all of your new material and adding in any other material you learn along the way.

In this video we look at some of the important chord voicings commonly used in for Taranta and Tarantos to give it that distinctive sound.

This is one version of a very traditional Escobilla for Tarantos. As I explain in the video, there are many (sometimes weird) ways of playing this falseta for dance, but the essential melody remains the same, and you can use any variation for solo guitar.

While Tarantas is Libre, Tarantos is in compás, so you’ll want to learn your basic patterns before getting started with the rest of the Tarantos course.

We look at two techniques you’ll want to become familiar with before diving in to Tarantos or Tarantos and we also take a quick look at two ways to play the F# Phrygian scale.

In this video we talk about what Taranta and Taranto are, what’s the difference, and what a Palo Libre is all about.