In this video we look at many of the most important figures used to connect falsetas Por Tarantas. As we don’t have compás to guide us, we have to learn a new way to connect our material. Here we explore the many little melodic bits traditionally used to do this.
Up Next in Tarantas Explained
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Tarantas Explained - Traditional Intr...
A simple but very effective intro for Tarantas that features a lot of the “connective tissue” ideas at the end, this one is also taken from Paco’s ‘Tarantos Populares,’ but is played as Taranta and not in strict Tarantos time.
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Tarantas Explained - Traditional Intr...
A simple but very effective intro for Tarantas that features a lot of the “connective tissue” ideas at the end, this one is also taken from Paco’s ‘Tarantos Populares,’ but is played as Taranta and not in strict Tarantos time. This is played slow and looped several times.
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Tarantas Explained - Intro Falseta by...
One of my falsetas that I use as an intro, this one features some advanced arpeggio patterns and a bit of alzapua and thumb at the end. It’s really two falsetas joined together, but since I almost always play them as one I thought I’d present them that way here.
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