Tangos can be played in many keys, and after Por Medio, the most common other key is Por Arriba (E Phrygian), the key that Tangos de Granada is often played in. Here’s a fun falseta that can be played as written, but also has a lot of moving parts that you can use as shorter falsetas or simply to...
Tangos can be played in many keys, and after Por Medio, the most common other key is Por Arriba (E Phrygian), the key that Tangos de Granada is often played in. Here’s a fun falseta that can be played as written, but also has a lot of moving parts that you can use as shorter falsetas or simply to...
Tangos can be played in many keys, and after Por Medio, the most common other key is Por Arriba (E Phrygian), the key that Tangos de Granada is often played in. Here’s a fun falseta that can be played as written, but also has a lot of moving parts that you can use as shorter falsetas or simply to...
A line cliche is when one note within a chord moves by half-steps. The second half of this falseta features a line cliche on the D minor chord where the bass note moves down from the note D on the fifth string. This is a traditional figure that you’ll probably recognize more once you learn to pla...
A line cliche is when one note within a chord moves by half-steps. The second half of this falseta features a line cliche on the D minor chord where the bass note moves down from the note D on the fifth string. This is a traditional figure that you’ll probably recognize more once you learn to pla...
A line cliche is when one note within a chord moves by half-steps. The second half of this falseta features a line cliche on the D minor chord where the bass note moves down from the note D on the fifth string. This is a traditional figure that you’ll probably recognize more once you learn to pla...
This Tangos falseta features a very common alzapua burst and quite a bit of left-hand / right-hand coordination to make it sound its best. Also, watch out for the rhythm change from 16th to 8th notes.
This Tangos falseta features a very common alzapua burst and quite a bit of left-hand / right-hand coordination to make it sound its best. Also, watch out for the rhythm change from 16th to 8th notes.
This Tangos falseta features a very common alzapua burst and quite a bit of left-hand / right-hand coordination to make it sound its best. Also, watch out for the rhythm change from 16th to 8th notes.
Friday Falseta - Kai Narezo Tangos Falseta 1 - Performance
Friday Falseta - Kai Narezo Tangos Falseta 1 - Tutorial
Friday Falseta - Kai Narezo Tangos Falseta 1 - LOOPED
Friday Falseta - Kai Narezo Tangos Alzapua Workout Falseta 2 - Performance
Friday Falseta - Kai Narezo Tangos Alzapua Workout Falseta 2 -Tutorial
Friday Falseta - Kai Narezo Tangos Alzapua Workout Falseta 2 - LOOP
Friday Falseta - Tangos - Tomatito Falseta - Performance
Friday Falseta - Tangos - Tomatito Falseta - Tutorial
Friday Falseta - Tangos - Tomatito Falseta - LOOPED
Friday Falseta - Tangos - Pepe/Juan Habichuela Falseta - Performance
Friday Falseta - Tangos - Pepe/Juan Habichuela Falseta - Tutorial
Friday Falseta - Tangos - Pepe/Juan Habichuela Falseta - LOOPED
Friday Falseta - Tangos - Enrique Melchor Falseta Performance
Friday Falseta - Tangos - Enrique Melchor Falseta - Tutorial
Friday Falseta - Tangos - Enrique Melchor Falseta LOOPED
