A great, groovy Tangos falseta that’s not too hard to play, this is a modification of a falseta that’s usually played in triplets, but here we’ve made it 8th notes so you can play it at just about any speed. Also great for working your thumb technique!

A great, groovy Tangos falseta that’s not too hard to play, this is a modification of a falseta that’s usually played in triplets, but here we’ve made it 8th notes so you can play it at just about any speed. Also great for working your thumb technique!

A great, groovy Tangos falseta that’s not too hard to play, this is a modification of a falseta that’s usually played in triplets, but here we’ve made it 8th notes so you can play it at just about any speed. Also great for working your thumb technique!

An advanced Tangos falseta Por Arriba, this one is almost all Picado. It’s definitely a fun falseta, but it’s also a great little scale study.

An advanced Tangos falseta Por Arriba, this one is almost all scales. It’s definitely a fun falseta, but it’s also a great little scale study.

An advanced Tangos falseta Por Arriba, this one is almost all Picado. It’s definitely a fun falseta, but it’s also a great little scale study.

An advanced Tangos falseta Por Medio that features lots of coordination between right and left hands, as well as some tricky material for each hand individually. For the left hand there are plenty of slurs and stretches, and for the right we have a good amount of alzapua.

An advanced Tangos falseta Por Medio that features lots of coordination between right and left hands, as well as some tricky material for each hand individually. For the left hand there are plenty of slurs and stretches, and for the right we have a good amount of alzapua.

An advanced Tangos falseta Por Medio that features lots of coordination between right and left hands, as well as some tricky material for each hand individually. For the left hand there are plenty of slurs and stretches, and for the right we have a good amount of alzapua.

A super useful Chord Progression Falseta for Tangos Por Medio. It’s pretty essential to have one or two of these for each Palo, and I write about why I like them so much, and ways you can make them your own, in this blog post - https://flamencoexplained.com/education/is-a-chord-progression-a-fals...

A super useful Chord Progression Falseta for Tangos Por Medio. It’s pretty essential to have one or two of these for each Palo, and I write about why I like them so much, and ways you can make them your own, in this blog post - https://flamencoexplained.com/education/is-a-chord-progression-a-fals...

A super useful Chord Progression Falseta for Tangos Por Medio. It’s pretty essential to have one or two of these for each Palo, and I write about why I like them so much, and ways you can make them your own, in this blog post - https://flamencoexplained.com/education/is-a-chord-progression-a-fals...

An advanced Tangos Falseta by Enrique Melchor that features a bit each of Arpeggio, Picado and Alzapua.

An advanced Tangos Falseta by Enrique Melchor that features a bit each of Arpeggio, Picado and Alzapua. Tutorial

Played slow and looped - An advanced Tangos Falseta by Enrique Melchor that features a bit each of Arpeggio, Picado and Alzapua.

Tangos can be played in many keys, and after Por Medio, the most common other key is Por Arriba (E Phrygian), the key that Tangos de Granada is often played in. Here’s a fun falseta that can be played as written, but also has a lot of moving parts that you can use as shorter falsetas or simply to...

Tangos can be played in many keys, and after Por Medio, the most common other key is Por Arriba (E Phrygian), the key that Tangos de Granada is often played in. Here’s a fun falseta that can be played as written, but also has a lot of moving parts that you can use as shorter falsetas or simply to...

Tangos can be played in many keys, and after Por Medio, the most common other key is Por Arriba (E Phrygian), the key that Tangos de Granada is often played in. Here’s a fun falseta that can be played as written, but also has a lot of moving parts that you can use as shorter falsetas or simply to...

A line cliche is when one note within a chord moves by half-steps. The second half of this falseta features a line cliche on the D minor chord where the bass note moves down from the note D on the fifth string. This is a traditional figure that you’ll probably recognize more once you learn to pla...

A line cliche is when one note within a chord moves by half-steps. The second half of this falseta features a line cliche on the D minor chord where the bass note moves down from the note D on the fifth string. This is a traditional figure that you’ll probably recognize more once you learn to pla...

A line cliche is when one note within a chord moves by half-steps. The second half of this falseta features a line cliche on the D minor chord where the bass note moves down from the note D on the fifth string. This is a traditional figure that you’ll probably recognize more once you learn to pla...

This Tangos falseta features a very common alzapua burst and quite a bit of left-hand / right-hand coordination to make it sound its best. Also, watch out for the rhythm change from 16th to 8th notes.

This Tangos falseta features a very common alzapua burst and quite a bit of left-hand / right-hand coordination to make it sound its best. Also, watch out for the rhythm change from 16th to 8th notes.

This Tangos falseta features a very common alzapua burst and quite a bit of left-hand / right-hand coordination to make it sound its best. Also, watch out for the rhythm change from 16th to 8th notes.