This falseta is based on an Estribillo, or chorus, of a sung Tangos. It’s groovy and very playable, though the tag at the end can be just a bit challenging. You don’t have to play that tag, but it’s a fun one to learn and good for practicing your arpeggio to picado transition.
This may be simplest falseta in the course in terms of technique, though the syncopation will be tricky for some. It’s a great hard-driving falseta played on the bass strings that requires solid coordination of the left and right hands and a good feel for the compás.
This may be simplest falseta in the course in terms of technique, though the syncopation will be tricky for some. It’s a great hard-driving falseta played on the bass strings that requires solid coordination of the left and right hands and a good feel for the compás.
Another good candidate for an intro falseta, this one introduces a new technique of adding a pull-off in the middle of an arpeggio that is quite common in flamenco.
