The Palmas are the underlying structure of any Palo, so the better you know them the better you’ll feel the compás. We can’t recommend strongly enough that you spend some time with the Palmas as you learn to play compás por Tangos. As you learn to feel the Palmas you will begin to feel more free with the compás, with your falsetas, and with every aspect of Tangos
Up Next in Season 1
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Tangos Explained - Intro Arpeggio Fal...
This arpeggio falseta, which works great as an intro or anywhere in your Tangos, is relatively simple but has a few little technical challenges and some syncopation that make a bit less simple than it may seem.
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Tangos Explained - Intro Arpeggio - T...
This arpeggio falseta, which works great as an intro or anywhere in your Tangos, is relatively simple but has a few little technical challenges and some syncopation that make a bit less simple than it may seem.
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Tangos Explained - Estribillo Falseta...
This falseta is based on an Estribillo, or chorus, of a sung Tangos. It’s groovy and very playable, though the tag at the end can be just a bit challenging. You don’t have to play that tag, but it’s a fun one to learn and good for practicing your arpeggio to picado transition.
