A great traditional falseta featuring lots of arpeggios and slurs that's a bit more challenging than it may appear at first.
We break down and explain this great traditional falseta that has a couple of real challenges along the way.
A loop of the slower version of this falseta to get it into your ears.
A lot of the compás we play in Soleá Por Buleria uses snippets of the escobilla melody, and we also play tons of variations of the melody when accompanying Soleá Por Buleria or just to make our compás more interesting.
