Start here to learn to play Soleá Por Buleria and understand what it's all about.

Getting a handle on one of the most important elements for playing compás in Soleá Por Buleria.

A lot of the compás we play in Soleá Por Buleria uses snippets of the escobilla melody, and we also play tons of variations of the melody when accompanying Soleá Por Buleria or just to make our compás more interesting.

One of the most important ways to vary our compás in Soleá Por Buleria is to have a good variety of 7-8-9-10 phrases, so we look at some fun ones here.

Palmas for Solea Por Bulerias are very much like those for Soleá, but they feel a bit different. We look at what you need to know.

This falseta is really lovely, but definitely challenging. A classic by one of the great masters.

We look at the timing and the technique of this great Juan Habichuela falseta.

A loop of the slower version of this Juan Habichuela falseta to help get it into your ears.

A great traditional falseta featuring lots of arpeggios and slurs that's a bit more challenging than it may appear at first.

We break down and explain this great traditional falseta that has a couple of real challenges along the way.

A loop of the slower version of this falseta to get it into your ears.

This falseta of Kai's has some tricky thumb technique plus quite a bit of syncopation.

We break down and explain the technique and the compás of this groovy falseta.

A loop of the slower version of the falseta to help get it into your ears.

It's one thing to have some good material, but another to feel comfortable playing a new Palo. Here we look at putting all of your new material to use and flow.