Soleá Explained - Escobilla Edition
Our course on accompnaying a danced Escobilla Por Soleá. Featuring dancer Estefania Narvaez and percussionist Chem Del Estad, this course looks at how to use a relatively limited repertoire of material to accompany various tempos and grooves that exist within a danced Soleá. The goal is not to learn new material, but rather to learn to manipulate what you have to provide a pulse for the dancer in this footwork section of the danced Soleá. Learning to use your material this way is also incredibly useful for guitarists who don't even plan to accompany dance.
-
Soleá Explained Escobilla Edition - Constant Tempo 140bpm - PLAY-ALONG
A loop of some Escobilla at the constant tempo of 140bpm for you to accompany. Get used to playing your basic material straight and syncopated, and to switching among the various patterns you know while keeping time with the dancer.
-
Soleá Explained Escobilla Edition - Constant Tempo 180bpm - PERFORMANCE
A performance of some fast Escobilla por Soleá at a constant tempo of 180bpm. The idea is not for you to learn this particular accompaniment, but rather for you to see how the basic material and all of the right-hand patterns can be manipulated to work when accompanying at a tempo like this.
-
Soleá Explained Escobilla Edition - Constant Tempo 180 bpm -TUTORIAL
We look at some of ways you can use the basic material to accompany an Escobilla por Soleá when things speed up to a quick tempo of 180bpm.
-
Soleá Explained Escobilla Edition - Constant Tempos 180bpm - PLAY-ALONG
A loop of some Escobilla at the constant tempo of 180bpm, which is pretty fast. Get used to playing your basic material straight and simple first, and then see what material works at this speed and what patterns feel comfortable for you.