In this video we look at the Llamada por Seguirillas as a way to really understand how to count and feel the compás. Seguirillas is built on the same 12-beat foundation as Soleá, but we feel and count it in a very different way, so this is a great place to start. We also look at one of the most c...
In this video we get into the basic compás of Seguirillas and how to flow from the llamada into the compás and back again. By the end of this video you should have a solid understanding of how Seguirilla feels and how it works.
If you’re feeling good about your Seguirilla compassions it’s time to start learning some compás variations and some new chord voicings so your compás will sound a little more interesting and you’ll have more options.
The hardest part of doing palmas for Seguirillas is really understanding the Seguirillas compás, so here we look at both.
Here are the most important and tricky bits to look out for as you jump in to Seguirillas, along with the one falseta you have to know to play. If you're not clear on how the compás works for Seguirilla be sure to check out the Seguirilla Palmas video.
If you're only going to learn one falseta por Seguirillas, learn this one. It's very traditional and it's one you just have to know, even if you don't accompany dance.
Tutorial lesson for the one Seguirilla falseta you really have to know!
Seguirillas Escobilla falseta performance played slower and looped 10X times for easy play-along practice.
Performance of three short falsetas by the maestro Sabicas. They can be played together or as individual fasletas.
Tutorial lesson of three short falsetas by the maestro Sabicas. They can be played together or as individual fasletas.
Three Sabicas Falsetas performance played slower and looped 10X times for easy play-along practice.
Performance of Kai's Seguirilla falseta that he wrote for dance, but that also works well for solo guitar or Cante intro.
Tutorial lesson of Kai's Seguirilla falseta that can be played more or less lyrically depending on your mood.
Kai's Seguirillas falseta performance played slower and looped 10X times for easy play-along practice.
Introduction to the Llamada in Seguirilla.
