This Tangos falseta by Enrique Melchor features some quick Picado bursts and a bit of syncopation, making it a great Picado exercise as well as a fun falseta.

This Tangos falseta by Enrique Melchor features some quick Picado bursts and a bit of syncopation, making it a great Picado exercise as well as a fun falseta.

This Tangos falseta by Enrique Melchor features some quick Picado bursts and a bit of syncopation, making it a great Picado exercise as well as a fun falseta.

Besides being a fun straight-ahead picado falseta for your Tangos, this one doubles as a great picado study. Practicing preparing your right hand placement and working on your left-hand / right-hand coordination to get the most out of this one.

Besides being a fun straight-ahead picado falseta for your Tangos, this one doubles as a great picado study. Practicing preparing your right hand placement and working on your left-hand / right-hand coordination to get the most out of this one.

A fun picado falseta of mine that ends with some tricky coordination between the two hands that sound quite powerful when you get the hang of it.

A fun picado falseta of mine that ends with some tricky coordination between the two hands that sound quite powerful when you get the hang of it. This is played slow and looped several times.

A picado falseta of mine that features some long runs at the beginning and a bit of thumb towards the end.

A picado falseta by Kai Narezo that features some long runs at the beginning and a bit of thumb towards the end. This is played slow and looped several times.

Another traditional Escobilla falseta for Tarantos, more or less as played by Paco de Lucia on his “Tarantos Populares,” this one involves quite a bit of picado and some quick changes from picado to thumb.

Another traditional Escobilla falseta for Tarantos, more or less as played by Paco de Lucia on his “Tarantos Populares,” this one involves quite a bit of picado and some quick changes from picado to thumb. This is played at 52bpm and looped several times.

This Tientos falseta by Kai is great for accompanying dance. It features a couple of big left hand stretches and quite a few picado runs, including a short burst of 32nd notes (which at this tempo is not quite as daunting as it sounds.)

This Tientos falseta by Kai is great for accompanying dance. It features a couple of big left hand stretches and quite a few picado runs, including a short burst of 32nd notes (which at this tempo is not quite as daunting as it sounds.)

Four Sevillanas in four different keys (E, A, F# and B phrygian). These Sevillanas are pretty advanced both technically and rhythmically, so you may want to review the Traditional Sevillanas tutorial before tackling this.
This one is in the Taranta key (F# phrygian if you're playing without a ca...

A classic intermediate/advanced Fandangos de Huelva falseta by Pepe Habichuela. It features a lot of scales, but since the scales are phrased in triplets and not in 16th notes it’s not quite as technically challenging as it could be and actually quite playable.

A classic intermediate/advanced Fandangos de Huelva falseta by Pepe Habichuela. It features a lot of scales, but since the scales are phrased in triplets and not in 16th notes it’s not quite as technically challenging as it could be and actually quite playable.

A classic intermediate/advanced Fandangos de Huelva falseta by Pepe Habichuela. It features a lot of scales, but since the scales are phrased in triplets and not in 16th notes it’s not quite as technically challenging as it could be and actually quite playable.

An advanced Tangos falseta Por Arriba, this one is almost all Picado. It’s definitely a fun falseta, but it’s also a great little scale study.

An advanced Tangos falseta Por Arriba, this one is almost all Picado. It’s definitely a fun falseta, but it’s also a great little scale study.

An advanced Tangos falseta Por Arriba, this one is almost all scales. It’s definitely a fun falseta, but it’s also a great little scale study.