An advanced Alegrias falseta in E Major, the first part of this falseta mimics the phrasing of the Tirititran or Coletilla that’s sung in Alegrias. Though the falseta starts on the pickup of beat 11 and the phrasing of the first half starts on 12 (like the TiritiTran and the Coletilla), the measu...

This Tangos falseta by Enrique Melchor features some quick Picado bursts and a bit of syncopation, making it a great Picado exercise as well as a fun falseta.

This Tangos falseta by Enrique Melchor features some quick Picado bursts and a bit of syncopation, making it a great Picado exercise as well as a fun falseta.

This Tangos falseta by Enrique Melchor features some quick Picado bursts and a bit of syncopation, making it a great Picado exercise as well as a fun falseta.

An advanced Alegrias falseta by Kai in the key of A Major rather than the more common E Major, this falseta features a recurring syncopated figure, a few quick picado runs, and a couple of left-hand challenges.

An advanced Alegrias falseta by Kai in the key of A Major rather than the more common E Major, this falseta features a recurring syncopated figure, a few quick picado runs, and a couple of left-hand challenges.

An advanced Alegrias falseta by Kai in the key of A Major rather than the more common E Major, this falseta features a recurring syncopated figure, a few quick picado runs, and a couple of left-hand challenges.

An advanced Bulerias falseta in the key of B Phrygian, this falseta features a few phrases that start on the upbeat to beat 9 - basically an extended pickup to beat 12. So watch out for your time as you learn this falseta in the Granaína key.

An advanced Bulerias falseta in the key of B Phrygian, this one is a great intro to playing Bulerias in this key. It starts with an extended arpeggio figure in E minor and then gets into some material that will give you a sense of where you can go with this key. And if you’re already familiar wit...

An advanced Bulerias falseta in the key of B Phrygian, this one is a great intro to playing Bulerias in this key. It starts with an extended arpeggio figure in E minor and then gets into some material that will give you a sense of where you can go with this key. And if you’re already familiar wit...

An advanced Bulerias falseta in the key of B Phrygian, this falseta features a few phrases that start on the upbeat to beat 9 - basically an extended pickup to beat 12. So watch out for your time as you learn this falseta in the Granaína key.

An advanced Bulerias falseta in the key of B Phrygian, this one is a great intro to playing Bulerias in this key. It starts with an extended arpeggio figure in E minor and then gets into some material that will give you a sense of where you can go with this key. And if you’re already familiar wit...

An advanced Bulerias falseta in the key of B Phrygian, this falseta features a few phrases that start on the upbeat to beat 9 - basically an extended pickup to beat 12. So watch out for your time as you learn this falseta in the Granaína key.

Capo Required - A loop of El Turry singing both kinds of Fandangos de Huelva letras Al Tres Por Arriba (with the Por Arriba chords and the capo at the 3rd fret), this video was designed for you to be the accompanist. The first time through we show you the chords you need to know. After that the l...

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Capo Required - in this video we look at some traditional embellishments for the Fandangos de Huelva letra. We show you some very common traditional embellishments that are used as the chords move from one to the other, typically resolving on beat ...

Capo Required - in this video we look a the standard Fandangos de Huelva letra as well as the “Alosno,” which starts just a bit differently. We accompany with the Por Arriba chords and the capo at the third fret. Fandangos de Huelva tends to be more predictable in the Cante than some other Palos,...

No Capo Required. In this video we take a look at a traditional Guajiras letra and how to accompany in A Major, which is the most traditional key (or set of chord shapes) to accompany Guajiras.

LETRA
Me gusta por la mañana
Despues del cafe bebido
Pasearme por La Habana
Con mi cigarro encendido

...

No Capo Required. A loop of El Turry singing por Guajiras with percussion but without guitar, this video was designed for you to be the accompanist. The first time through we show you the chords you’d use to accompany the letra, and after that the letra loops and you’re on your own!

LETRA
Me gus...

No Capo Required. In this video we look at how to accompany some common and some less common Bulerias letras. We do it all Por Medio (also sometimes called Por Fiesta) and we look at not only the chords, but also the right hand patterns you’ll want to master in order to stay in compás while accom...

No Capo Required. A loop of El Turry singing por Bulerias with percussion but without guitar, this video was designed for you to be the accompanist. The first time through we show you the chords you’d use to accompany the Salida and the Letras with the Por Medio chords. After that the Letras loop...

A classic intermediate/advanced Fandangos de Huelva falseta by Pepe Habichuela. It features a lot of scales, but since the scales are phrased in triplets and not in 16th notes it’s not quite as technically challenging as it could be and actually quite playable.

An intermediate level Fandangos de Huelva falseta that features a bit of syncopation and a few little bursts of arpeggio. Works great as an intro, or you can use it anywhere in your Fandangos de Huelva.

This classic Soleá falseta by the great Ramon Montoya starts out quite elegantly and then ends with a bang. It’s also a fantastic left-hand workout, and it has a little quirk, in that it has an “extra” six beats (don’t worry, we explain why and also how to remedy the situation if needed).

This Sabicas Soleá falseta will not only work both hands but will also really work the coordination between the two hands. Plus it’s one of the all-time great Soleá falsetas that works at any tempo. Traditional definitely doesn’t always mean easy!