A fun and great sounding little Bulerías bit that uses a lot of that thumb/index technique Kai likes so much.

Three variations of a Bulerías idea of Kai’s that starts with arpeggio and then gets into some cool syncopated harmonies.

A fun little Bulerías bit that uses that thumb/index technique and also has a bit of serious syncopation (though we also provide a slightly less syncopated alternative).

You can look at this as a short falseta or as another compás bit. Either way it’s a nice little moment that lands for a second on E Major, which is a distinct sound when playing Por Medio.

A Paco-inspired bit of Tientos that can be used in lots of ways, any of which will retain that classic Paco quality.

A classic Tientos moment that can be used by itself but also works really well as a Cierre for just about any falseta.

Get comfortable resolving to upbeats instead of downbeats to make your Bulerías compás sound more modern.

You can use the basic unit of Alzapua by itself to create some fun Bulerias variations and at the same time improve your Alzapua technique.

A cool traditional Soleá variation, and then a variation of the variation, that you definitely want to know. Really forces you to hear the compás, too.

A great Soleá Escobilla melody variation, this one is a bit tricky both technically and in the rhythm of it.

A very traditional and common Seguirillas compás variation you definitely want to know.

A funky Bulerías compás bit that may mess with your sense of compás for a minute, this one also involves a thumb technique I don't even have a name for.

A syncopated variation of the standard Seguirillas Llamada, this one's a bit tricky, but very fun.

A 7-8-9-10 resolution for Bulerías that can also start on beat 6 or beat 8 once you understand how to use it.

Two Alzapua variatons for Soleá Por Bulerías that are directly borrowed from Soleá.

Some foundational compás resolutions for Soleá Por Bulerias, these are the little arpeggio phrases you hear so often to resolve the basic compás.

A short chord progression falseta Por Bulerias that works as a short falseta also, you can play with this one lots of different ways.

A nice variation of a common Soleá Por Bulerías resolution, and then just a bit more to make life interesting.

A variation of the seguirillas chords that comes from the Cante. Tons of ways to use this, so it's a great one to know.

Sextuplet arpeggios are a huge part of playing Soleá and also an important Right Hand pattern to master for flamenco guitar in general. Here we look at how just thinking of them the right way can help playing them better, and then we look at a couple of ways to practice them so you can incorporat...

A nice strong Cierre por Alegrias that includes a very important Dominant voicing that every flamenco player needs to know.

When playing Alegrias in E, the B7 chord resolves to E. If you precede the B7 with a C chord you get an interesting sound (basically a Substitute Dominant, if you speak Jazz) that you can use in lots of ways to spice up your compás.

By playing what is essentially a B Phrygian rather than a B Dominant we can vary the sound of our Alzapuas for Alegrias in E, while also making like just a little bit easier on our left hanD.

A common chord progression that we use in Fandangos de Huelva compás and a couple of ways of using it.