A nice little Cierre to punctuate your falsetas (or anything) Por Bulerias.

A compás variation Por Bulerias I call One Unit of Alzapua. It also happens to be a great way to work on your alzapua.

A traditional but groovy variation for the 6-7-8-9-10 part of your Bulerias compás.

Add the Db to your Bb chord to add variety to your Bulerias Compás. Does that make it a Bb minor chord? Maybe..

Playing around with beat 4 to add variety to your compás Por Tangos.

A little variation to basic compás Por Tangos that adds a bit of color to the Bb chord.

Playing on the downbeat of beat 1, or even the anticipation of 1, adds variety to your compás Por Tangos.

A traditional little melody to add variety to your compás Por Tangos.

Use the Bb minor to add character to your compás Por Tangos.

Here’s a Bulerias falseta that’s played in the key of Rondeña (Tuning = D A D F# B E). It’s almost all arpeggios, but note that though I’m playing ami arpeggios, they’re 8th notes, so only two notes per beat (this is very common for Bulerias in general).

Here’s a Bulerias falseta that’s played in the key of Rondeña (Tuning = D A D F# B E). It’s almost all arpeggios, but note that though I’m playing ami arpeggios, they’re 8th notes, so only two notes per beat (this is very common for Bulerias in general).

Here’s a Bulerias falseta that’s played in the key of Rondeña (Tuning = D A D F# B E). It’s almost all arpeggios, but note that though I’m playing ami arpeggios, they’re 8th notes, so only two notes per beat (this is very common for Bulerias in general).

If you have to fake it, you might as well do it right. Maybe you’re not a flamenco player, but you dig the sound. Or you’re a composer or producer and you got a gig to deliver something that sounds “Spanish” or flamenco-ish. In this video we show you what you need to know, and to avoid, to get it...

A rather advanced Rondeña falseta that features a wide variety of techniques. If you use the notation or TABs for this one, keep in mind that as this is a Libre falseta, the rhythms as written will not be strictly accurate. Feel free to play as you feel, or use the recording as a guide for rhythm...

A rather advanced Rondeña falseta that features a wide variety of techniques. If you use the notation or TABs for this one, keep in mind that as this is a Libre falseta, the rhythms as written will not be strictly accurate. Feel free to play as you feel, or use the recording as a guide for rhythm...

An intermediate level Rondeña falseta that features a bit of Picado and Arpeggio. Works well as an intro, but can also be used anywhere else. In Rondeña tuning - D A D F# B E

An intermediate level Rondeña falseta that features a bit of Picado and Arpeggio. Works well as an intro, but can also be used anywhere else. In Rondeña tuning - D A D F# B E

An intermediate level Rondeña falseta that’s also a good introduction to learning your way around the key and some common Rondeña figures. In Rondeña tuning - D A D F# B E

An intermediate level Rondeña falseta that’s also a good introduction to learning your way around the key and some common Rondeña figures. In Rondeña tuning - D A D F# B E

Moveable scale patterns are one of the keys to learning your way around the fretboard without having to memorize every single note or understand a lot of theory. Here’s our introduction to the concept, focusing on moving the Phrygian scale around.

PDF can be searched and downloaded here: https:/...

A look at the open position Por Medio scale - the one you’ll want to know when learning or playing many Palos, including Tangos, Tientos, Bulerias, Soleá Por Bulerías, Seguirillas and more.

An introduction to the Rondeña key and tuning. We look at what you need to know to become familiar with this great-sounding key - the tuning, the main chords you want to know, and the scale.