Get comfortable resolving to upbeats instead of downbeats to make your Bulerías compás sound more modern.

You can use the basic unit of Alzapua by itself to create some fun Bulerias variations and at the same time improve your Alzapua technique.

A very traditional and common Seguirillas compás variation you definitely want to know.

A funky Bulerías compás bit that may mess with your sense of compás for a minute, this one also involves a thumb technique I don't even have a name for.

A syncopated variation of the standard Seguirillas Llamada, this one's a bit tricky, but very fun.

A 7-8-9-10 resolution for Bulerías that can also start on beat 6 or beat 8 once you understand how to use it.

Two Alzapua variatons for Soleá Por Bulerías that are directly borrowed from Soleá.

Some foundational compás resolutions for Soleá Por Bulerias, these are the little arpeggio phrases you hear so often to resolve the basic compás.

A short chord progression falseta Por Bulerias that works as a short falseta also, you can play with this one lots of different ways.

A nice variation of a common Soleá Por Bulerías resolution, and then just a bit more to make life interesting.

A variation of the seguirillas chords that comes from the Cante. Tons of ways to use this, so it's a great one to know.

Sextuplet arpeggios are a huge part of playing Soleá and also an important Right Hand pattern to master for flamenco guitar in general. Here we look at how just thinking of them the right way can help playing them better, and then we look at a couple of ways to practice them so you can incorporat...

A nice strong Cierre por Alegrias that includes a very important Dominant voicing that every flamenco player needs to know.

When playing Alegrias in E, the B7 chord resolves to E. If you precede the B7 with a C chord you get an interesting sound (basically a Substitute Dominant, if you speak Jazz) that you can use in lots of ways to spice up your compás.

By playing what is essentially a B Phrygian rather than a B Dominant we can vary the sound of our Alzapuas for Alegrias in E, while also making like just a little bit easier on our left hanD.

A common chord progression that we use in Fandangos de Huelva compás and a couple of ways of using it.

A nice little compás variation for the basic compás of Fandangos de Huelva.

A compás bit for Fandangos de Huelva that extends the compás for another 12 beats.

A super traditional little compás bit for Soeá that's also dead easy and fun to play.

A very traditional and important Soleá Compás variation for the 7-8-9 spot. There are lots of variations on this theme, so we look at one of the basic ways of doing this.

An advanced variation on the traditional escobilla melody in Soleá. This phrasing is less common than some others, but common enough that you'll want to get to know it.

A nice little Cierre to punctuate your falsetas (or anything) Por Bulerias.

A compás variation Por Bulerias I call One Unit of Alzapua. It also happens to be a great way to work on your alzapua.

A traditional but groovy variation for the 6-7-8-9-10 part of your Bulerias compás.