Friday Falsetas

Friday Falsetas

New falseta here every OTHER Friday. TABS can be found here: https://flamencoexplained.com/tabs-and-notation/

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Friday Falsetas
  • Friday Falseta - Fandangos de Huelva - Pepe Habichuela Falseta - PERFORMANCE

    A classic intermediate/advanced Fandangos de Huelva falseta by Pepe Habichuela. It features a lot of scales, but since the scales are phrased in triplets and not in 16th notes it’s not quite as technically challenging as it could be and actually quite playable.

  • Friday Falseta - Fandangos de Huelva - Pepe Habichuela Falseta - TUTORIAL

    A classic intermediate/advanced Fandangos de Huelva falseta by Pepe Habichuela. It features a lot of scales, but since the scales are phrased in triplets and not in 16th notes it’s not quite as technically challenging as it could be and actually quite playable.

  • Friday Falseta - Fandangos de Huelva - Pepe Habichuela Falseta - SLOW/LOOP

    A classic intermediate/advanced Fandangos de Huelva falseta by Pepe Habichuela. It features a lot of scales, but since the scales are phrased in triplets and not in 16th notes it’s not quite as technically challenging as it could be and actually quite playable.

  • Friday Falseta - Solea - Sabicas Falseta #1 - PERFORMANCE

    This Sabicas Soleá falseta will not only work both hands but will also really work the coordination between the two hands. Plus it’s one of the all-time great Soleá falsetas that works at any tempo. Traditional definitely doesn’t always mean easy!

  • Friday Falseta - Solea - Sabicas Falseta #1 - TUTORIAL

    This Sabicas Soleá falseta will not only work both hands but will also really work the coordination between the two hands. Plus it’s one of the all-time great Soleá falsetas that works at any tempo. Traditional definitely doesn’t always mean easy!

  • Friday Falseta - Solea - Sabicas Falseta #1 - SLOW/LOOP

    This Sabicas Soleá falseta will not only work both hands but will also really work the coordination between the two hands. Plus it’s one of the all-time great Soleá falsetas that works at any tempo. Traditional definitely doesn’t always mean easy!

  • Friday Falseta - Solea - Ramon Montoya Falseta #1 - PERFORMANCE

    This classic Soleá falseta by the great Ramon Montoya starts out quite elegantly and then ends with a bang. It’s also a fantastic left-hand workout, and it has a little quirk, in that it has an “extra” six beats (don’t worry, we explain why and also how to remedy the situation if needed).

  • Friday Falseta - Solea - Ramon Montoya Falseta #1 - TUTORIAL

    This classic Soleá falseta by the great Ramon Montoya starts out quite elegantly and then ends with a bang. It’s also a fantastic left-hand workout, and it has a little quirk, in that it has an “extra” six beats (don’t worry, we explain why and also how to remedy the situation if needed).

  • Friday Falseta - Solea - Ramon Montoya Falseta #1 - SLOW/LOOP

    This classic Soleá falseta by the great Ramon Montoya starts out quite elegantly and then ends with a bang. It’s also a fantastic left-hand workout, and it has a little quirk, in that it has an “extra” six beats (don’t worry, we explain why and also how to remedy the situation if needed).

  • Friday Falseta - Tangos Por Arriba Falseta by Kai Narezo - TUTORIAL

    Tangos can be played in many keys, and after Por Medio, the most common other key is Por Arriba (E Phrygian), the key that Tangos de Granada is often played in. Here’s a fun falseta that can be played as written, but also has a lot of moving parts that you can use as shorter falsetas or simply to...

  • Friday Falseta - Tangos Por Arriba Falseta by Kai Narezo - PERFORMANCE

    Tangos can be played in many keys, and after Por Medio, the most common other key is Por Arriba (E Phrygian), the key that Tangos de Granada is often played in. Here’s a fun falseta that can be played as written, but also has a lot of moving parts that you can use as shorter falsetas or simply to...

  • Friday Falseta - Tangos Por Arriba Falseta by Kai Narezo - SLOW/LOOP

    Tangos can be played in many keys, and after Por Medio, the most common other key is Por Arriba (E Phrygian), the key that Tangos de Granada is often played in. Here’s a fun falseta that can be played as written, but also has a lot of moving parts that you can use as shorter falsetas or simply to...

  • Friday Falseta - Colombiana Falseta #1 by Kai Narezo - PERFORMANCE

    This intermediate/advanced Colombianas falseta follows a more or less traditional chord progression you’ll want to be familiar with when playing Colombianas. You can use our Tangos compás loops to practice this one: https://learn.flamencoexplained.com/compas-loops/season:5

  • Friday Falseta - Colombiana Falseta #1 by Kai Narezo - TUTORIAL

    This intermediate/advanced Colombianas falseta follows a more or less traditional chord progression you’ll want to be familiar with when playing Colombianas. You can use our Tangos compás loops to practice this one: https://learn.flamencoexplained.com/compas-loops/season:5

  • Friday Falseta - Colombiana Falseta #1 by Kai Narezo - SLOW/LOOP

    This intermediate/advanced Colombianas falseta follows a more or less traditional chord progression you’ll want to be familiar with when playing Colombianas. You can use our Tangos compás loops to practice this one: https://learn.flamencoexplained.com/compas-loops/season:5

  • Friday Falseta - Guajira Falseta #2 by Kai Narezo - PERFORMANCE

    Here’s an advanced Guajiras falseta that works at both faster and slower tempos and involves quite a few little scale bursts for you to work on. Could also work as a somewhat rubato intro at a slower speed.

  • Friday Falseta - Guajira Falseta #2 by Kai Narezo - TUTORIAL

    Here’s an advanced Guajiras falseta that works at both faster and slower tempos and involves quite a few little scale bursts for you to work on. Could also work as a somewhat rubato intro at a slower speed.

  • Friday Falseta - Guajira Falseta #2 by Kai Narezo - SLOW/LOOP

    Here’s an advanced Guajiras falseta that works at both faster and slower tempos and involves quite a few little scale bursts for you to work on. Could also work as a somewhat rubato intro at a slower speed.

  • Friday Falseta - Tangos Traditional Line Cliche by Kai Narezo - PERFORMANCE

    A line cliche is when one note within a chord moves by half-steps. The second half of this falseta features a line cliche on the D minor chord where the bass note moves down from the note D on the fifth string. This is a traditional figure that you’ll probably recognize more once you learn to pla...

  • Friday Falseta - Tangos Traditional Line Cliche by Kai Narezo - TUTORIAL

    A line cliche is when one note within a chord moves by half-steps. The second half of this falseta features a line cliche on the D minor chord where the bass note moves down from the note D on the fifth string. This is a traditional figure that you’ll probably recognize more once you learn to pla...

  • Friday Falseta - Tangos Traditional Line Cliche by Kai Narezo - SLOW/LOOP

    A line cliche is when one note within a chord moves by half-steps. The second half of this falseta features a line cliche on the D minor chord where the bass note moves down from the note D on the fifth string. This is a traditional figure that you’ll probably recognize more once you learn to pla...

  • Friday Falseta - Bulerias Thumb Falseta/Tag by Kai Narezo - PERFORMANCE

    A fun falseta that can also be used a tag for something else, this one starts just before beat 12 and features quite a bit of thumb technique as well as some precise left-hand movement.

  • Friday Falseta - Bulerias Thumb Falseta/Tag by Kai Narezo - TUTORIAL

    A fun falseta that can also be used a tag for something else, this one starts just before beat 12 and features quite a bit of thumb technique as well as some precise left-hand movement

  • Friday Falseta - Bulerias Thumb Falseta/Tag by Kai Narezo - SLOW/LOOP

    A fun falseta that can also be used a tag for something else, this one starts just before beat 12 and features quite a bit of thumb technique as well as some precise left-hand movement.