This intermediate/advanced Colombianas falseta follows a more or less traditional chord progression you’ll want to be familiar with when playing Colombianas. You can use our Tangos compás loops to practice this one: https://learn.flamencoexplained.com/compas-loops/season:5

This intermediate/advanced Colombianas falseta follows a more or less traditional chord progression you’ll want to be familiar with when playing Colombianas. You can use our Tangos compás loops to practice this one: https://learn.flamencoexplained.com/compas-loops/season:5

This intermediate/advanced Colombianas falseta follows a more or less traditional chord progression you’ll want to be familiar with when playing Colombianas. You can use our Tangos compás loops to practice this one: https://learn.flamencoexplained.com/compas-loops/season:5

Here’s an advanced Guajiras falseta that works at both faster and slower tempos and involves quite a few little scale bursts for you to work on. Could also work as a somewhat rubato intro at a slower speed.

Here’s an advanced Guajiras falseta that works at both faster and slower tempos and involves quite a few little scale bursts for you to work on. Could also work as a somewhat rubato intro at a slower speed.

Here’s an advanced Guajiras falseta that works at both faster and slower tempos and involves quite a few little scale bursts for you to work on. Could also work as a somewhat rubato intro at a slower speed.

A line cliche is when one note within a chord moves by half-steps. The second half of this falseta features a line cliche on the D minor chord where the bass note moves down from the note D on the fifth string. This is a traditional figure that you’ll probably recognize more once you learn to pla...

A line cliche is when one note within a chord moves by half-steps. The second half of this falseta features a line cliche on the D minor chord where the bass note moves down from the note D on the fifth string. This is a traditional figure that you’ll probably recognize more once you learn to pla...

A line cliche is when one note within a chord moves by half-steps. The second half of this falseta features a line cliche on the D minor chord where the bass note moves down from the note D on the fifth string. This is a traditional figure that you’ll probably recognize more once you learn to pla...

A fun falseta that can also be used a tag for something else, this one starts just before beat 12 and features quite a bit of thumb technique as well as some precise left-hand movement.

A fun falseta that can also be used a tag for something else, this one starts just before beat 12 and features quite a bit of thumb technique as well as some precise left-hand movement

A fun falseta that can also be used a tag for something else, this one starts just before beat 12 and features quite a bit of thumb technique as well as some precise left-hand movement.

Here’s a fun fasleta that’s relatively straightforward and will add variety to your Escobilla por Alegrias. The right hand is all P-M-A and the melody is mostly scale wise motion, using an E Major scale in the 6th position. It’s almost all triplets, so once you have the right hand down it’s all a...

Here’s a fun fasleta that’s relatively straightforward and will add variety to your Escobilla por Alegrias. The right hand is all P-M-A and the melody is mostly scale wise motion, using an E Major scale in the 6th position. It’s almost all triplets, so once you have the right hand down it’s all a...

Here’s a fun fasleta that’s relatively straightforward and will add variety to your Escobilla por Alegrias. The right hand is all P-M-A and the melody is mostly scale wise motion, using an E Major scale in the 6th position. It’s almost all triplets, so once you have the right hand down it’s all a...

Here’s an uptempo Seguirillas falseta you might want to practice with a capo, given the left-hand stretches involved. In addition to the stretches it’s a good alzapua workout, so make sure you’re relaxed as you learn and practice this one. And try to hear the sextuplets in the alzapua before you ...

Here’s an uptempo Seguirilla falseta you might want to practice with a capo, given the left-hand stretches involved. In addition to the stretches it’s a good alzapua workout, so make sure you’re relaxed as you learn and practice this one. And try to hear the sextuplets in the alzapua before you d...

Here’s an uptempo Seguirillas falseta you might want to practice with a capo, given the left-hand stretches involved. In addition to the stretches it’s a good alzapua workout, so make sure you’re relaxed as you learn and practice this one. And try to hear the sextuplets in the alzapua before you ...

I say this one is good Por Fiesta because it’s all thumb so you can play it loud and, once learned, should be playable at quick speeds. Watch out for those pickup notes at the beginning, though, as it starts just after beat 10.

I say this one is good Por Fiesta because it’s all thumb so you can play it loud and, once learned, should be playable at quick speeds. Watch out for those pickup notes at the beginning, though, as it starts just after beat 10.

I say this one is good Por Fiesta because it’s all thumb so you can play it loud and, once learned, should be playable at quick speeds. Watch out for those pickup notes at the beginning, though, as it starts just after beat 10.

This Tangos falseta features a very common alzapua burst and quite a bit of left-hand / right-hand coordination to make it sound its best. Also, watch out for the rhythm change from 16th to 8th notes.

This Tangos falseta features a very common alzapua burst and quite a bit of left-hand / right-hand coordination to make it sound its best. Also, watch out for the rhythm change from 16th to 8th notes.

This Tangos falseta features a very common alzapua burst and quite a bit of left-hand / right-hand coordination to make it sound its best. Also, watch out for the rhythm change from 16th to 8th notes.