Friday Falsetas

Friday Falsetas

New falseta here every OTHER Friday. TABS can be found here: https://flamencoexplained.com/tabs-and-notation/

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Friday Falsetas
  • Friday Falseta - Colombiana Falseta #1 by Kai Narezo - PERFORMANCE

    This intermediate/advanced Colombianas falseta follows a more or less traditional chord progression you’ll want to be familiar with when playing Colombianas. You can use our Tangos compás loops to practice this one: https://learn.flamencoexplained.com/compas-loops/season:5

  • Friday Falseta - Colombiana Falseta #1 by Kai Narezo - TUTORIAL

    This intermediate/advanced Colombianas falseta follows a more or less traditional chord progression you’ll want to be familiar with when playing Colombianas. You can use our Tangos compás loops to practice this one: https://learn.flamencoexplained.com/compas-loops/season:5

  • Friday Falseta - Colombiana Falseta #1 by Kai Narezo - SLOW/LOOP

    This intermediate/advanced Colombianas falseta follows a more or less traditional chord progression you’ll want to be familiar with when playing Colombianas. You can use our Tangos compás loops to practice this one: https://learn.flamencoexplained.com/compas-loops/season:5

  • Friday Falseta - Guajira Falseta #2 by Kai Narezo - PERFORMANCE

    Here’s an advanced Guajiras falseta that works at both faster and slower tempos and involves quite a few little scale bursts for you to work on. Could also work as a somewhat rubato intro at a slower speed.

  • Friday Falseta - Guajira Falseta #2 by Kai Narezo - TUTORIAL

    Here’s an advanced Guajiras falseta that works at both faster and slower tempos and involves quite a few little scale bursts for you to work on. Could also work as a somewhat rubato intro at a slower speed.

  • Friday Falseta - Guajira Falseta #2 by Kai Narezo - SLOW/LOOP

    Here’s an advanced Guajiras falseta that works at both faster and slower tempos and involves quite a few little scale bursts for you to work on. Could also work as a somewhat rubato intro at a slower speed.

  • Friday Falseta - Tangos Traditional Line Cliche by Kai Narezo - PERFORMANCE

    A line cliche is when one note within a chord moves by half-steps. The second half of this falseta features a line cliche on the D minor chord where the bass note moves down from the note D on the fifth string. This is a traditional figure that you’ll probably recognize more once you learn to pla...

  • Friday Falseta - Tangos Traditional Line Cliche by Kai Narezo - TUTORIAL

    A line cliche is when one note within a chord moves by half-steps. The second half of this falseta features a line cliche on the D minor chord where the bass note moves down from the note D on the fifth string. This is a traditional figure that you’ll probably recognize more once you learn to pla...

  • Friday Falseta - Tangos Traditional Line Cliche by Kai Narezo - SLOW/LOOP

    A line cliche is when one note within a chord moves by half-steps. The second half of this falseta features a line cliche on the D minor chord where the bass note moves down from the note D on the fifth string. This is a traditional figure that you’ll probably recognize more once you learn to pla...

  • Friday Falseta - Bulerias Thumb Falseta/Tag by Kai Narezo - PERFORMANCE

    A fun falseta that can also be used a tag for something else, this one starts just before beat 12 and features quite a bit of thumb technique as well as some precise left-hand movement.

  • Friday Falseta - Bulerias Thumb Falseta/Tag by Kai Narezo - TUTORIAL

    A fun falseta that can also be used a tag for something else, this one starts just before beat 12 and features quite a bit of thumb technique as well as some precise left-hand movement

  • Friday Falseta - Bulerias Thumb Falseta/Tag by Kai Narezo - SLOW/LOOP

    A fun falseta that can also be used a tag for something else, this one starts just before beat 12 and features quite a bit of thumb technique as well as some precise left-hand movement.

  • Friday Falseta -Alegrias Escobilla Variation Falseta by Kai Narezo - PERFORMANCE

    Here’s a fun fasleta that’s relatively straightforward and will add variety to your Escobilla por Alegrias. The right hand is all P-M-A and the melody is mostly scale wise motion, using an E Major scale in the 6th position. It’s almost all triplets, so once you have the right hand down it’s all a...

  • Friday Falseta - Alegrias Escobilla Variation by Kai Narezo - TUTORIAL

    Here’s a fun fasleta that’s relatively straightforward and will add variety to your Escobilla por Alegrias. The right hand is all P-M-A and the melody is mostly scale wise motion, using an E Major scale in the 6th position. It’s almost all triplets, so once you have the right hand down it’s all a...

  • Friday Falseta - Alegrias Escobilla Variation by Kai Narezo - SLOW/LOOP

    Here’s a fun fasleta that’s relatively straightforward and will add variety to your Escobilla por Alegrias. The right hand is all P-M-A and the melody is mostly scale wise motion, using an E Major scale in the 6th position. It’s almost all triplets, so once you have the right hand down it’s all a...

  • Friday Falseta - Seguirilla Alzapua & Stretch by Kai Narezo - PERFORMANCE

    Here’s an uptempo Seguirillas falseta you might want to practice with a capo, given the left-hand stretches involved. In addition to the stretches it’s a good alzapua workout, so make sure you’re relaxed as you learn and practice this one. And try to hear the sextuplets in the alzapua before you ...

  • Friday Falseta - Seguirilla Alzapua and Stretch Falseta by Kai Narezo - TUTORIAL

    Here’s an uptempo Seguirilla falseta you might want to practice with a capo, given the left-hand stretches involved. In addition to the stretches it’s a good alzapua workout, so make sure you’re relaxed as you learn and practice this one. And try to hear the sextuplets in the alzapua before you d...

  • Friday Falseta - Seguirilla Alzapua and Stretch by Kai Narezo - SLOW/LOOP

    Here’s an uptempo Seguirillas falseta you might want to practice with a capo, given the left-hand stretches involved. In addition to the stretches it’s a good alzapua workout, so make sure you’re relaxed as you learn and practice this one. And try to hear the sextuplets in the alzapua before you ...

  • Friday Falseta - Bulerias Falseta Por Fiesta by Kai Narezo - PERFORMANCE

    I say this one is good Por Fiesta because it’s all thumb so you can play it loud and, once learned, should be playable at quick speeds. Watch out for those pickup notes at the beginning, though, as it starts just after beat 10.

  • Friday Falseta - Bulerias Falseta Por Fiesta by Kai Narezo - TUTORIAL

    I say this one is good Por Fiesta because it’s all thumb so you can play it loud and, once learned, should be playable at quick speeds. Watch out for those pickup notes at the beginning, though, as it starts just after beat 10.

  • Friday Falseta - Bulerias Falseta Por Fiesta by Kai Narezo - SLOW/LOOP

    I say this one is good Por Fiesta because it’s all thumb so you can play it loud and, once learned, should be playable at quick speeds. Watch out for those pickup notes at the beginning, though, as it starts just after beat 10.

  • Friday Falseta - Tangos Alzapua Workout #2 by Kai Narezo - PERFORMANCE

    This Tangos falseta features a very common alzapua burst and quite a bit of left-hand / right-hand coordination to make it sound its best. Also, watch out for the rhythm change from 16th to 8th notes.

  • Friday Falseta - Tangos Alzapua Workout #2 Falseta by Kai Narezo - TUTORIAL

    This Tangos falseta features a very common alzapua burst and quite a bit of left-hand / right-hand coordination to make it sound its best. Also, watch out for the rhythm change from 16th to 8th notes.

  • Friday Falseta - Tangos Alzapua Workout #2 by Kai Narezo - SLOW/LOOP

    This Tangos falseta features a very common alzapua burst and quite a bit of left-hand / right-hand coordination to make it sound its best. Also, watch out for the rhythm change from 16th to 8th notes.