This may be simplest falseta in the course in terms of technique, though the syncopation will be tricky for some. It’s a great hard-driving falseta played on the bass strings that requires solid coordination of the left and right hands and a good feel for the compás.
Another good candidate for an intro falseta, this one introduces a new technique of adding a pull-off in the middle of an arpeggio that is quite common in flamenco.
This is the final performance from our Alegrías Explained episodes. See how it all comes together with the Cante, Baile and Guitar from top to bottom! To understand and hear all the explanations between the three: Cante, Baile and Guitar, in large detail of each section, there are 7 lesson episod...
Kai and Juan perform a Soleá that includes a Salida, two letras (each in a different style) and a Macho that speeds up a bit and goes to the parallel Major key.
