This video looks at how we build compás in Soleá using a few essential building blocks. From one of the most traditional ‘escobilla’ melodies have been built thousand upon thousands of Compases, and we look at how it’s been done and how you can learn to do this yourself. And along the way we look at some really fun variations that you can add to your repertoire to make your Soleá more interesting and to give you more options when writing material or improvising. Huge thanks to GSI for lending me this amazing 1971 Manuel de la Chica blanca. De la Chica was one of the greatest of the Granda builders and certainly one of the most influential. His guitars are fantastic traditional flamencos - some of the best I’ve ever played, in fact.
In this video we look at most important elements of Tangos - the basic compás and Llamadas/Cierres - and in particular we look at a variation of the two-finger rasgueado that is traditionally used to play the compás. This will form the foundation of everything you do in Tangos, so take your time ...
This video is really the heart of this course. We look at lots of ways to play compás por Tientos, along with llamadas and a bunch different ways to make your compás more interesting.
In this lesson we break down the compás for Alegrias - a 12-beat compás that's faster than a Soleá but not as fast as a Buleria. All of the right-hand patterns here also apply perfectly to Soleá por Buleria.
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