When playing Alegrias in E, the B7 chord resolves to E. If you precede the B7 with a C chord you get an interesting sound (basically a Substitute Dominant, if you speak Jazz) that you can use in lots of ways to spice up your compás.

A nice strong Cierre por Alegrias that includes a very important Dominant voicing that every flamenco player needs to know.

By playing what is essentially a B Phrygian rather than a B Dominant we can vary the sound of our Alzapuas for Alegrias in E, while also making like just a little bit easier on our left hanD.

I nice traditional 7-8-9 phrase plus a common turnaround that you can use just about anywhere.

Here’s a small detail that makes a big difference. It’s a simple concept - you’re basically adding one passing chord to your compás. But you’ll hear right away how it gives your compás a bit of zing.

Two related compás bits for Alegrias in C Major that involve that great thumb/index technique. I still remember how excited I was when I first learned these!