BULERIAS Falsetas
This is the place for Bulerias falsteas - from beginner to advanced, we've got tons of them!
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Friday Falseta - Bulerias Falseta Por Arriba by Juan Habichuela - PERFORMANCE
A fun Bulerias falseta played Por Arriba (in E Phrygian) by the great Juan Habichuela, this one features lots of figures that might feel familiar from Soleá, but that are phrased in a very Bulerias kind of way. It’s a noodly one with some interesting with some interesting compás going on, so pay ...
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Friday Falseta - Bulerias Falseta Por Arriba by Juan Habichuela - TUTORIAL
A fun Bulerias falseta played Por Arriba (in E Phrygian) by the great Juan Habichuela, this one features lots of figures that might feel familiar from Soleá, but that are phrased in a very Bulerias kind of way. It’s a noodly one with some interesting with some interesting compás going on, so pay ...
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Friday Falseta - Bulerias Falseta Por Arriba by Juan Habichuela - SLOW/LOOP
A fun Bulerias falseta played Por Arriba (in E Phrygian) by the great Juan Habichuela, this one features lots of figures that might feel familiar from Soleá, but that are phrased in a very Bulerias kind of way. It’s a noodly one with some interesting with some interesting compás going on, so pay ...
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Bulerias Explained - Level 1 - Alzapua Falseta Traditional - PERFORMANCE
This Alzapua falseta is relatively simple but has one new feature, which is that rather than start on beat 12 it starts on beat 11. Thinking of beat 11 as a pickup to a downbeat on beat 12 can help make this feel more natural.
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Bulerias Explained - Level 1 - Alzapua Falseta Traditional - TUTORIAL
This Alzapua falseta is relatively simple but has one new feature, which is that rather than start on beat 12 it starts on beat 11. Thinking of beat 11 as a pickup to a downbeat on beat 12 can help make this feel more natural.
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Bulerias Explained - Level 1 - Alzapua Falseta Traditional - SLOW & LOOPED
This Alzapua falseta is relatively simple but has one new feature, which is that rather than start on beat 12 it starts on beat 11. Thinking of beat 11 as a pickup to a downbeat on beat 12 can help make this feel more natural.
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Bulerias Explained - Level 1 - Thumb Falseta Traditional Morón Style - PERFORM
This is a very traditional falseta in the Morón style (Morón de la Frontera is a town not too far from Sevilla that’s famous for its flamenco). The falseta is relatively simple and involves thumb technique in the right hand and some slurs in the left hand. The phrasing is very traditional and thi...
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Bulerias Explained - Level 1 - Thumb Falseta Traditional Morón Style - TUTORIAL
This is a very traditional falseta in the Morón style (Morón de la Frontera is a town not too far from Sevilla that’s famous for its flamenco). The falseta is relatively simple and involves thumb technique in the right hand and some slurs in the left hand. The phrasing is very traditional and thi...
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Bulerias Explained - Level 1 - Thumb Falseta Traditional Morón Style - SLOW/LOOP
This is a very traditional falseta in the Morón style (Morón de la Frontera is a town not too far from Sevilla that’s famous for its flamenco). The falseta is relatively simple and involves thumb technique in the right hand and some slurs in the left hand. The phrasing is very traditional and thi...
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Bulerias Explained - Level 1 - Picado & Thumb Falseta by Kai Narezo - PERFORM
The first Bulerías falseta I ever wrote 🙂 Each phrase is made up of 8th notes that start on 12 and end on 6, so by now it should just be a matter of learning the notes.
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Bulerias Explained - Level 1 - Picado & Thumb Falseta by Kai Narezo - TUTORIAL
The first Bulerías falseta I ever wrote 🙂 Each phrase is made up of 8th notes that start on 12 and end on 6, so by now it should just be a matter of learning the notes.
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Bulerias Explained - Level 1 - Picado & Thumb Falseta by Kai Narezo - SLOW/LOOP
The first Bulerías falseta I ever wrote 🙂 Each phrase is made up of 8th notes that start on 12 and end on 6, so by now it should just be a matter of learning the notes.
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Bulerias Explained - Level 1 - Arpeggio Falseta by Kai Narezo - PERFORMANCE
A relatively simple falseta that is traditionally phrased with 8th notes starting on beat 12 and ending on beat 6, until the final longer phrase which starts on 12 and end on beat 6 of the next compás.
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Bulerias Explained - Level 1 - Arpeggio Falseta by Kai Narezo - TUTORIAL
A relatively simple falseta that is traditionally phrased with 8th notes starting on beat 12 and ending on beat 6, until the final longer phrase which starts on 12 and end on beat 6 of the next compás.
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Bulerias Explained - Level 2 - Arpeggio Falseta by Viejín - PERFORMANCE
This arpeggio falseta features some beautiful chords - and melodies within each chord - as well as some tricky syncopated anticipations of the downbeat of each phrase. You can also play the chord progression with rasgueados rather than arpeggios, or you can do both, as we do here.
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Bulerias Explained - Level 2 - Arpeggio Falseta by Viejín - TUTORIAL
This arpeggio falseta features some beautiful chords - and melodies within each chord - as well as some tricky syncopated anticipations of the downbeat of each phrase. You can also play the chord progression with rasgueados rather than arpeggios, or you can do both, as we do here.
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Bulerias Explained - Level 2 - Arpeggio Falseta by Viejín - PLAYED SLOW & LOOPED
This arpeggio falseta features some beautiful chords - and melodies within each chord - as well as some tricky syncopated anticipations of the downbeat of each phrase. You can also play the chord progression with rasgueados rather than arpeggios, or you can do both, as we do here.
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Bulerias Explained - Level 2 - Syncopated Falseta by Kai Narezo - PERFORMANCE
Probably the most jubilant falseta in the whole Bulerías course, this one has some interesting staccato syncopation at the beginning, and continues to some syncopated versions of otherwise traditional phrasing.
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Bulerias Explained - Level 2 - Syncopated Falseta by Kai Narezo- TUTORIAL
Probably the most jubilant falseta in the whole Bulerías course, this one has some interesting staccato syncopation at the beginning, and continues to some syncopated versions of otherwise traditional phrasing.
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Bulerias Explained - Level 2 - Syncopated Falseta by Kai Narezo - SLOW & LOOPED
Probably the most jubilant falseta in the whole Bulerías course, this one has some interesting staccato syncopation at the beginning, and continues to some syncopated versions of otherwise traditional phrasing.
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Bulerias Explained - Level 2 - Thumb Falseta by Kai Narezo - PERFORMANCE
This Bulerías falseta - which can also be thrown in as a “detalle” (literally a detail, this can be a short flourish or something less than a falseta that you throw in somewhere) - features a great thumb and index technique that’s unique to flamenco, as well as a different kind of 6-beat phrase.
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Bulerias Explained - Level 2 - Thumb Falseta by Kai Narezo - TUTORIAL
This Bulerías falseta - which can also be thrown in as a “detalle” (literally a detail, this can be a short flourish or something less than a falseta that you throw in somewhere) - features a great thumb and index technique that’s unique to flamenco, as well as a different kind of 6-beat phrase.
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Bulerias Explained - Level 2 - Thumb Falseta by Kai Narezo - SLOW & LOOPED
This Bulerías falseta - which can also be thrown in as a “detalle” (literally a detail, this can be a short flourish or something less than a falseta that you throw in somewhere) - features a great thumb and index technique that’s unique to flamenco, as well as a different kind of 6-beat phrase.
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Bulerias Explained - Level 2 - Thumb & Slur Falseta by Kai Narezo - PERFORMANCE
This Bulerías falseta starts on 11 and then goes on to a phrase that’s one and a half compáses long. The repeat features an extended ending with a very syncopated rhythm, and the falseta ends on 10.