Friday Falseta - Bulería - Kai Narezo Falseta (from Al Aire) - Performance. Use this falseta in either a soleá or bulería.

Friday Falseta - Soleá/Bulería - Kai Narezo Falseta (from Al Aire) - Tutorial. Use this falseta in either a soleá or bulería.

Friday Falseta - Bulería - Kai Narezo Falseta (from Al Aire) - Looped. Use this falseta in either a soleá or bulería.

You've heard Paco and Tomatito play this falseta, as well as tons of other players. It's a killer Alzapua falseta that starts on one. You couldn't ask for a much better Alzapua workout for your right hand.

Here's a great Moraito falseta por bulerias that also happens to be a great picado workout. It's not that hard to play, but it's definitely not beginner material. It features a bunch of little picado bursts, many of which start on one string and continue on another. Perfect for cleaning up your t...

Here's a bulerias falseta I wrote that's almost all arpeggio. It's got that 2 over 3 thing where we play three note phrases but in 8th notes (two notes per beat), and it also has a few faster triplet arpeggios thrown in. It's a nice all-purpose falseta that will also give your arpeggios a workout.

A fun Bulerias falseta played Por Arriba (in E Phrygian) by the great Juan Habichuela, this one features lots of figures that might feel familiar from Soleá, but that are phrased in a very Bulerias kind of way. It’s a noodly one with some interesting with some interesting compás going on, so pay ...

A fun Bulerias falseta played Por Arriba (in E Phrygian) by the great Juan Habichuela, this one features lots of figures that might feel familiar from Soleá, but that are phrased in a very Bulerias kind of way. It’s a noodly one with some interesting with some interesting compás going on, so pay ...

A fun Bulerias falseta played Por Arriba (in E Phrygian) by the great Juan Habichuela, this one features lots of figures that might feel familiar from Soleá, but that are phrased in a very Bulerias kind of way. It’s a noodly one with some interesting with some interesting compás going on, so pay ...

This Alzapua falseta is relatively simple but has one new feature, which is that rather than start on beat 12 it starts on beat 11. Thinking of beat 11 as a pickup to a downbeat on beat 12 can help make this feel more natural.

This Alzapua falseta is relatively simple but has one new feature, which is that rather than start on beat 12 it starts on beat 11. Thinking of beat 11 as a pickup to a downbeat on beat 12 can help make this feel more natural.

This Alzapua falseta is relatively simple but has one new feature, which is that rather than start on beat 12 it starts on beat 11. Thinking of beat 11 as a pickup to a downbeat on beat 12 can help make this feel more natural.

This is a very traditional falseta in the Morón style (Morón de la Frontera is a town not too far from Sevilla that’s famous for its flamenco). The falseta is relatively simple and involves thumb technique in the right hand and some slurs in the left hand. The phrasing is very traditional and thi...

This is a very traditional falseta in the Morón style (Morón de la Frontera is a town not too far from Sevilla that’s famous for its flamenco). The falseta is relatively simple and involves thumb technique in the right hand and some slurs in the left hand. The phrasing is very traditional and thi...

This is a very traditional falseta in the Morón style (Morón de la Frontera is a town not too far from Sevilla that’s famous for its flamenco). The falseta is relatively simple and involves thumb technique in the right hand and some slurs in the left hand. The phrasing is very traditional and thi...

The first Bulerías falseta I ever wrote 🙂 Each phrase is made up of 8th notes that start on 12 and end on 6, so by now it should just be a matter of learning the notes.

The first Bulerías falseta I ever wrote 🙂 Each phrase is made up of 8th notes that start on 12 and end on 6, so by now it should just be a matter of learning the notes.

The first Bulerías falseta I ever wrote 🙂 Each phrase is made up of 8th notes that start on 12 and end on 6, so by now it should just be a matter of learning the notes.

A relatively simple falseta that is traditionally phrased with 8th notes starting on beat 12 and ending on beat 6, until the final longer phrase which starts on 12 and end on beat 6 of the next compás.

A relatively simple falseta that is traditionally phrased with 8th notes starting on beat 12 and ending on beat 6, until the final longer phrase which starts on 12 and end on beat 6 of the next compás.

This arpeggio falseta features some beautiful chords - and melodies within each chord - as well as some tricky syncopated anticipations of the downbeat of each phrase. You can also play the chord progression with rasgueados rather than arpeggios, or you can do both, as we do here.

This arpeggio falseta features some beautiful chords - and melodies within each chord - as well as some tricky syncopated anticipations of the downbeat of each phrase. You can also play the chord progression with rasgueados rather than arpeggios, or you can do both, as we do here.

This arpeggio falseta features some beautiful chords - and melodies within each chord - as well as some tricky syncopated anticipations of the downbeat of each phrase. You can also play the chord progression with rasgueados rather than arpeggios, or you can do both, as we do here.

Probably the most jubilant falseta in the whole Bulerías course, this one has some interesting staccato syncopation at the beginning, and continues to some syncopated versions of otherwise traditional phrasing.