While perhaps not technically a falseta (there’s no real definition that I know of, but this feels like a bit less than a falseta), this is a great little bit to throw in between falsetas or after the singer has finished a letra. Check out the way the melody connects to the 10-11-12 phrase that p...

While perhaps not technically a falseta (there’s no real definition that I know of, but this feels like a bit less than a falseta), this is a great little bit to throw in between falsetas or after the singer has finished a letra. Check out the way the melody connects to the 10-11-12 phrase that p...

Played at 140bpm and looped. While perhaps not technically a falseta (there’s no real definition that I know of, but this feels like a bit less than a falseta), this is a great little bit to throw in between falsetas or after the singer has finished a letra. Check out the way the melody connects ...

We discuss few more options for starting your Bulerías, like starting with a falseta, and also some more ways to use our traditional ending that involve some chord substitutions and some syncopation.

Using all of the material you’ve learned so far to put together a solo guitar Bulerías. It’s not really that different from anything we’ve done in other courses as long as you stay on top of the connections between all things.

We look at the chords you need to know to get around playing Bulerías in one of the most common alternate keys - the key of A minor. It’s a “normal” tonal A minor, so there’s a good chance your ears will feel very comfortable in this key.

Essentially, we’re just using the chord voicings we know from Solea and transposing our Bulerías to the Por Arriba key. But there are a few little tricks that can be confusing at first, so we go ahead and take a look at how to get around when playing Buleriás in this key.