The half compás can be really confusing when you first run into it. Here we introduce it in a way that will hopefully clear up some of the confusion and show you how to stay in compás even when you seem to be decidedly not in compás (strictly speaking)!
Up Next in Bulerías Explained LEVEL 3
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Bulerias Explained - Level 3 - Ending...
Ending on beat 9 or 9+ is one of the more common syncopations in Bulerías, but that doesn’t necessarily make it any easier. In this video we look at how to syncopate your beat 10 without losing your pulse, so that you can stay in compás.
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Bulerias Explained - Level 3 - A Mino...
Sabicas was famous for his minor Bulerías, and this may be his most famous falseta of all. It’s almost all picado in eight notes, and the phrases start on beat 1 and 7 instead of the more common beats 12 and 6.
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Bulerias Explained - Level 3 - A Mino...
Sabicas was famous for his minor Bulerías, and this may be his most famous falseta of all. It’s almost all picado in eight notes, and the phrases start on beat 1 and 7 instead of the more common beats 12 and 6.
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