Here’s a fun fasleta that’s relatively straightforward and will add variety to your Escobilla por Alegrias. The right hand is all P-M-A and the melody is mostly scale wise motion, using an E Major scale in the 6th position. It’s almost all triplets, so once you have the right hand down it’s all a...

Here’s a fun fasleta that’s relatively straightforward and will add variety to your Escobilla por Alegrias. The right hand is all P-M-A and the melody is mostly scale wise motion, using an E Major scale in the 6th position. It’s almost all triplets, so once you have the right hand down it’s all a...

Here’s a fun fasleta that’s relatively straightforward and will add variety to your Escobilla por Alegrias. The right hand is all P-M-A and the melody is mostly scale wise motion, using an E Major scale in the 6th position. It’s almost all triplets, so once you have the right hand down it’s all a...

Here’s a short but tricky Alegrias falseta that will really work both your left hand and your compás. In addition to some 16th note slurs that include a lot of pinky action, the phrases don’t quite resolve where we would expect them to. Once you’ve learned the notes, make sure you’re really comfo...

Here’s a short but tricky Alegrias falseta that will really work both your left hand and your compás. In addition to some 16th note slurs that include a lot of pinky action, the phrases don’t quite resolve where we would expect them to. Once you’ve learned the notes, make sure you’re really comfo...

Played slow and looped: a short but tricky Alegrias falseta that will really work both your left hand and your compás. In addition to some 16th note slurs that include a lot of pinky action, the phrases don’t quite resolve where we would expect them to. Once you’ve learned the notes, make sure yo...

Get your triplets going with this Alegrías Escobilla Falseta - traditional-ish with a lot of emphasis on the left hand.

Get your triplets going with this Alegrías Escobilla Falseta - traditional-ish with a lot of emphasis on the left hand.

Get your triplets going with this Alegrías Escobilla Falseta - traditional-ish with a lot of emphasis on the left hand.

Friday Falseta - Alegrías - Kai Narezo Falseta Performance

Friday Falseta - Alegrías - Kai Narezo Falseta Tutorial

Friday Falseta - Alegrías - Kai Narezo Falseta LOOPED

Friday Falseta Kai Narezo Alegrías Falseta #2 - Performance

Friday Falseta Kai Narezo Alegrías Falseta #2 - Tutorial

Friday Falseta Kai Narezo Alegrías Falseta #2 - LOOP

Friday Falseta - Alegrías Falseta Minera Chords - Performance

Friday Falseta - Alegrías Falseta Minera Chords - Tutorial

Friday Falseta - Alegrías Falseta Minera Chords - Looped

An advanced Alegrias falseta by Kai in the key of A Major rather than the more common E Major, this falseta features a recurring syncopated figure, a few quick picado runs, and a couple of left-hand challenges.

An advanced Alegrias falseta by Kai in the key of A Major rather than the more common E Major, this falseta features a recurring syncopated figure, a few quick picado runs, and a couple of left-hand challenges.

An advanced Alegrias falseta by Kai in the key of A Major rather than the more common E Major, this falseta features a recurring syncopated figure, a few quick picado runs, and a couple of left-hand challenges.

Here’s a nice variation on the traditional SIlencio section of the Alegrias. The Silencio is a slower section in the danced Alegrias that is played in the parallel minor key. It is traditionally six compases long and is phrased similarly to the Escobilla (but slow and in minor). This particular S...

This is a great traditional Silencio - the slow lyrical section of the danced Alegrias. If you don't have a Silencio yet this is a great one to have, and it's a nice picado study, too.

This is a great traditional Silencio - the slow lyrical section of the danced Alegrias. If you don't have a Silencio yet this is a great one to have, and it's a nice picado study, too.